They’re both admittedly weaker than the main cast from the original game, and while Ludger is interesting, I have no idea why he was designed to be virtually silent.Įlle, on the other hand, only takes part in the story, and not in combat, which lessened my attachment to her. Rounding the group out is Xillia 2's main - and mostly quiet - protagonist, Ludger, and a young, mysterious little girl named Elle. Representing Rieze Maxia are most of the characters you're familiar with from Xillia: Milla, Jude, Leia, Elize, Alvin, Rowen, and others. Xillia 2 thrusts players back into the world of Elympios and Rieze Maxia, two territories once separated by a magical barrier that, for thousands of years, obscured them from each other.
This may seem like a cop-out to some - and maybe it is - but familiarity is one of Xillia 2's greatest strengths, allowing players to jump in while cutting through the formalities that aren't needed in a story-driven sequel that assumes players already worked their way through the original. They even share each other's technical benefits and shortcomings, like snappy load times and tons of pop-in. They share tons of locations, characters, enemies, graphical assets, music, and sounds. Indeed, judged from the periphery, Xillia and Xillia 2 are virtually indistinguishable from one another. In most respects, PlayStation 3's Tales of Xillia 2 - which is the 14th core Tales game - is simply more Tales of Xillia, but as a fan of the original, that’s exactly what I wanted. 2013's Tales of Xillia was one such JRPG, a game I really enjoyed spending time with, getting to know, and ultimately beating and leaving behind with a heavy heart. You didn't really want it to end, but it did anyway.
So when it's all over, it's like closing a good book that took you 50 hours to read.
Unlike so many other genres, they ask players to spend dozens of hours with them to complete, and when you play a good one for long enough, you get caught up in its world and characters. I always experience a tangible feeling of sadness and remorse when I'm done with a good Japanese role-playing game.
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